Sunday, December 5, 2010

Praying for the Children who are Praying

I'm praying for the children,
who are reaching out for something.
So often they are crying, 
as I pass them in the stores.
Their moms are busy shopping, 
not usually for their children. 
Just a little bit longer, honey,
hold on, I hear them mutt'ring, 
as their children see me sighing, 
while I'm closing my eyes and praying, 
that they'll see the Light inside me.
for strangers should not talk.
Inside I am screaming, don't you
Even see what you are doing?
Kill another bit of spirit -- squash
one   Light and push it down,
 with bits of tears and anguish
that they'll fight to get back later.
God I see them when they're grown up
And they can't remember  years
And they swear that they had good ones
But there is no good inside.
***
So I'm praying for the children,
who are reaching out for something.
So often they are crying, 
as I pass them 'long the way.
Their moms and pops are shopping
and maybe its for the children, but
they're to small to know that
as they pass along the way.
So I smile the sweetest smile,
its my secret way of praying and 
I'm sending out that sweet sweet Light
so sweet I cannot say!
****
And I meet them and I greet them with
a smile in my eyes and heart because
I want to be the spark of Light 
that kindles Light in them.
I hope that someone meets them someday
When they're all grown up successful
And their contemplating marriage with
their most congenial spouse
Someone who'll ask them questions like
What's touched you deepest in your life
What's meant the most to you my friend
When you stop to sort it out?
Then I'm hoping they'll remember it's
Not the giant talking Elmo
Or the Fantastic Warriors video game
That touched their inner self
But the tweaked cheek from a grandma,
Or the smile from a stranger
On a day that they were crying 
And they thought that no one heard.
So I hope You smile at Children when
you see them when they're praying
with their hands out and their crying
Even when there are no words.



Sunday, November 7, 2010

'Tis the Season

I know how hard it is to crawI out when your whoIe seIf feeIs dark

But try, just try to reach a finger out to your community

Wrap yourseIf in your favorite scarf Iike swaddIing and come

Iike a newborn babe escaping from the womb, not sure,

yet bound to be borne into this worId, ready or not.

We are waiting to receive you, we are ready, we are

waiting in siIent worship for the gift we have been promised,

yet we know not what the Present wiII bring.  We just know

there is a Promise and we beIieve, where two or more

are gathered there is Iove, there is Iight, there is you

and I and others, gathered, waiting in the dark.

Waiting for the miracIe that has aIready happened --

Waiting for the miracIe that is the Iight that IS us.

Wednesday, April 21, 2010

Stirring the Pot

When first I rise my head from off the pillow
And gaze through foggy eyes out on the day
I scarce have woke my brain when thoughts are stirring
Beckoning me to meet the tasks that weigh.

I stumble in to wash my teeth and face and hands
I grapple with the tending of the coffeepot.
The animals beckon me out to nature's calling
As thoughts spin round my brain, enrapt, enthralling

As walking in the rain I view my garden,
Then thoughts of the bright blooms there entice me.
I imagine I must be weeding, tending, fauning,
this task inclined to be the most important..

Next moment barely pausing, I hear my phone ring
And another's plight is harkening to me
I'm rapt by the intensity of their story
And pulled towards the whirl of another's mourning.
 
I truly have had days like this,
Where each moment drifted on to next, then next, then next
And seeking I failed to find where I was going,
Or what I believed was my own true path.


Like a soup of many bright ingredients rising,
sinking, swimming, falling all within it
My mind spins from its vortex outward, mixing
Striving to make a medley of the chaos.

There's work, there's play, there's toil, there's service,
Each seems as important, each seems the best.
Soon the simplest decisions have overwhelmed me
And I'm paralyzed, seeking the more right path

Such is the movement of my human mind each moment
It scarcely takes a second's pass to hear a voice
Of each 'important' notice, each electron firing
Scattering thoughts, then gathering, sorting.

This is the nightmare of the ego,
Which seeks ever to be the most important
But failing to consider the greater whole
Spins aimlessly in the great morass

So I seek the God of my understanding,
I filter the soup through  well-wrought strainer
Built of a mesh of time worn lessons
And an inner voice that speaks of we, not me.

The soup of my life needs stirring, yes.
But it also thrives in careful tenderness.
The soulful simmering of new ideas
adds seasoning and flavor and subtle tastes.

I'm captivated by the stirring,
Much less enthralled by the patient seasoning.
My ego's a fan of the freeze dried, microwave meal,
But my soul depends on careful preparation.

I'm the one who puts the stew-pot on
And gives it a quick whisk, pours the fresh stuff in,
Then pulled by a new task, turns my back on it,
Forgetting to turn the heat down, 'til I smell the mess.

So It's I who need the soulful simmering,
The tenderness of a soft spoon stirring.
It's I who take the careful tending, and the
tolerant watchful eye of a well-trained chef.

Prayer is the act of that patient chef,
Tolerance the fruit of the awaited gift,
What seems to me to be just adequate
might on waiting be exactly love's intent.
.

Saturday, April 17, 2010

Spirits of Spring

Tremulous tendrils of frail spring flowers,
Pushing up from the undergrowth;
Softly speaking from their quiet dens,
As wandering, I ponder them..

A yellow trout lily gently tilts its head,
Muttering words 'bout its muddy bed.
It was a long hard journey out, she says,
It took me pushing for all I had.

Fairweather mayapple nods assent:
"Water makes for fine new friends,
As it scours the riverbed on its course,
And leaves us with newfound neighbors to tend."

Such is the life of the forest floor,
Where never a day passes by for naught.
Where every action has its reason,
Bringing about each turn of the season

The little dutchmans' breeches, then,
Swagger about to call me in.
Only when I stoop can I see,
The reason they are calling to me

For beneath their ferny feathers lie
The seeds of yet another friend:
Little round leaves pushing forth to the sky,
Bring bluebells breathing a soulful sigh..

Can you hear the colors? The cacophony
Of green and yellow and blue and pink.
Like a symphony from the brown has sprung,
In miniature tunes, great harmony.

Twinleaf blooms under bladderbush
Sweetshrub above trillium and yes its true,
There's wildest blue delphinium there,
Daring the rest: "Come join the choir!"

In spring, my heart will open again,
If only I can just take to the woods,
And quietly bring my soul inside
To listen, to ponder, to breathe in deep

The loudest songs are not the birds for me,
But the quiet callings of the native flora.
They'll  beckon only if you're willing to bend
To hear the mysteries in the undergrowth.

Long long ago, a native friend said,
Why do you give your heart's power away?
Listen, don't talk, listen to all,
And hold it tenderly to your breast.

There you will find the heart of the earth
With all its gifts at your fingertips
His advice has never failed me since
Nor have the words of the native plants.

Here's geranium shy, as I'm passing by,
Shining a smile in her cool, cool pink.
She tells me its time to shed winters pallor,
And come to the pool where the new sprouts gather.

They're teasing me, these new little shoots,
Challenging me to call them by name.
They know mine, they never forget,
So how could I offer them any less.

The tiny palms of rue anemone,
Remember every inch of me
And brushing my feet as I bustle by,
They slow me to hear their murmurings.

These are my truest friends, you know,
The fairy spirits of the forest below,
Who return life each spring to our cherished world
And herald the dawning of life renewed.

God above, or fairy below.
I know no difference between you two.
The flowers tell me the story true,
That we are all one, and all with you.

Saturday, April 10, 2010

Queen of the Farm


QUEEN OF THE FARM
22 November 2009
Linda Wilk

In an age before the world was turning from farms into suburbs, long before the city riots of '68, we lived on the edge of our town's main farm in central New Jersey. It was the family farm: my uncle's, who was actually my father's cousin, but it was all family then. We lived in the small older home, Uncle Clarence lived in the upstairs of the more modern farm house, across the way. The Tenants lived downstairs from him, and old grizzly (really gentle) Mr. Walker lived in the converted chicken coop behind the two houses. Our house was actually newer than the cottage it was attached to, which was a falling down shack that bristled ol' Uncle John (who was nobody's uncle that we knew of) lived in until it actually began to sag in the roof. Then he moved down the road to the old well house, which fit him as he was a plumber of sorts. In between our property and the Farm were three houses, remnants of the Great Depression when pieces of land had to be sold off to keep things going. The pieces sold were the ones that were least useful to the family, so the woods and rocky parts got sold to Strangers, and the family property got divided.

At the real Farm house (our property wasn't really a farm any more except for the truck we raised to feed ourselves and-oh, truck is vegetables to us farm folks, you know, the stuff you truck to market). The Farm was the old, big original family place down the lane, over the creek. Like a few of the really old places in town, it didn't have electric to speak of. The main house had a line that ran some lights and the plumbing, but the rest of the place was run on kerosene generators, tractors and pull ploughs powered by old Bessie, the big white percheron. A big business could be done in feed and hay in New Jersey in those days still, so those were the main crops. Crops had to be rotated, so it was corn one year, hay another, and soy beans in between to feed the fields. I knew that from the time I was two or so, but I couldn't tell you how. The fields stretched out for what seemed like miles to me as a youngster, way out behind the house, where it could be kept a good eye on.

In the farm house lived Aunt Mamie, Uncle Henry and Uncle Hugo. It took me 'til my teens to realize none of them were married; they were brothers and sister, along with my Uncle Clarence. The way they argued and kidded, you'd know right away they were family of some sort. All the boys (in their sixties they were still called the boys) were big hulking masses of German stock, as round about as they were tall and strong as oxen. I figured the farm would have gone down long ago except for their brute strength. Aunt Mamie, on the other hand, was a mere 5 feet and barely a hundred pounds soaking wet. The oldest, she was the brains behind the place, and she was a lady, not a girl (no one needed to tell you this). She wore practical yet womanly house dresses, and had her graying hair wrapped around her head in braids, where she could keep it neat.

As I write this, I'm contemplating that I come by my messiness naturally. There was no order to the inside or outside of that farm, except in the minds of those three residents. Everything had a place, but it might not be the place anyone else thought a thing ought to be in. Deeds and important papers were stored on top of the old fridge, or on the “way top” of the everyday china closet in the kitchen. Unused furniture was stored on the front porch, which no one used for anything else anyway. I think there were bed rooms in the farm; it was clearly a two story, but I was never allowed past the front parlor. The kitchen took up most of the downstairs, and it was clearly the place most business was done, around the huge rough oak table that filled the center of the room. Consequently, everything that had importance to the family had to be within reaching room of that table, and over the years that meant that things became stacked around the edges according to importance, on table tops, cabinet edges, packed full shelves, with the most used things on top. It should not be mistaken however, that this meant things got lost, for they never did.

The kitchen also had the most light in the house, facing south, and having more windows than any other room, being three together on one wall and a fourth on the east wall, plus a door with a window also facing south. This owed back to the days way before electric lights. Everyone entered and left through that side door, as it opened to the wide driveway that bisected the farm property. The house sat close to the road, as so many did in those slower days. Since the windows overlooked the drive, there was no question of knocking or entering unannounced; either the door was flung open for you or a shout came from within before you topped the steps; if not, you'd best go on home.

Most often, you could come on in when you arrived, for from 6 AM or earlier until well after dark, life went on and on in that kitchen. There was canning to be done, business deals to be sealed in the form of trailers of bales and bushels of corn, meat to be sold, butchering to be finished off, meals to be cooked and served, clothes to be mended, and all sorts of news to be passed by the farmers who came to share a beer or an ear of corn as they passed by on their way here or there. Aunt Mamie tolerated those men just long enough to glean the gossip, then neatly brushed them off, out the door and home to their wives, who she was sure needed them for something around their property, so they'd best be getting on. (I remember that after Mamie's death, the farm became more of a haven for the men to drink a little more heavily and hide out from their wives, and the only time I went there was when my own mother sent me to fetch Dad for dinner. Mamie must have been turning in her grave for that.)

In the days when Aunt Mamie was Queen of the Farm, things ran on a clock and with a “method to the madness,” she said, and it was easier to abide by it than to fight it, so most did. I only recall seeing Mamie mad once, and I expect that was because it only took once for most people to learn their lesson well, and it was a small town. Mamie, it was said, got the Irish blood in the family, and she was slow to anger but once set off, she was quick to throw a plate, and she was a good shot. The one time I saw her fired up, it took me two months to go back. When I did, I thought I was going to have to run again, as she grabbed me up and boxed my ears roughly but playfully and said, “Child that outburst wasn't meant for your likes, and you oughtn't have run and it would have been clear to you in a minute.” Then she hugged me and shoved me in the direction of the crystal candy dish in the parlor, and I learned not to stay away.

I guess Aunt Mamie had learned to be tough, being the only girl in that squabble of boys. My mother told me her momma died when she was just twelve and all the chores inside the house fell to her. I guess she got so comfortable and at home there, that she never left the Farm; she told me the Boys wouldn't have known what to do without her. Somewhere along the line, I figured out that her pappa must have died young too, and since she was already mostly in charge, it just came natural to her to step in and take over. It was definitely a full time job, especially after Uncle Clarence went to the war, then came home, married and took over the patch that was over the creek and beyond the Strangers' homes, where we came to live when my daddy came home from the war and married too.

There's a rhythm that goes with all farms that is way deeper than anything any human could impose. It has to do with the timing of the seasons, and the needs of God's creatures. Animals have to be fed and cared for at the times of day that are natural to them, or they won't fare well. Corn and other seeds have to go into the ground at the appointed time, or there will be no crop, and hence, no income or food. Sooner or later, those who farm come to live by those rhythms, and it is as natural as the rising and setting of the sun, and is governed in fact by them. Animals got hunted at certain times, fish got pulled from the water at others, and it all seemed to have a rhythm that meant bellies got fed just in the time as was needed. Aunt Mamie understood that rhythm better than anyone, which was why she commanded a natural respect of all those around, animal and human alike.

It seemed like Aunt Mamie never really asked for anything for herself; it was her natural way to give. Cookies for children, meals for the men, scraps for the dogs and cats and hogs, feed for the cows and horse, it all came from Mamie, directly or indirectly. Even the raccoons kept for training the coonhounds were treated to slices of apples or raisins or something that would endear her to them, so that she could handle them all in her own way, to accomplish the tasks she needed done. Love was felt but unspoken; often everyone was too tired for the niceties and extra words city folk would expect. “You'd best make good of what you've got, or you might lose it.” That was Mamie's best advice.

There was only one part of the week when time stood still for Mamie, and that was Saturday night. Most often the Boys took their coon hounds out to run on Saturday, especially if the moonlight was bright. Those hounds knew when a run was coming, it seemed, as they would begin braying especially loudly, calling to every arrival in the drive as though they were starving to the bone. Once dinner was served and the dishes put up, the boys would climb into their hunting overalls and mosey out the door. As soon as that side door screen squeaked in the moonlight, the red hounds knew it was on, and the sound was deafening. From a low whine it slowly built to loud bawling and squawling, and nothing could be heard over the sound of those dogs. It would keep on for an hour, as the coons in their cages had to be set out first, and that took a good deal of time. Henry and Hugo put the cages in their old Ford pickup, with one cage dragging behind, and set out across the fields. Meanwhile, the big flop-eared hounds were building up energy and stretching out their muscles straining against their chains, sniffing the wind and getting ready for the run.

Around six the other farmers would start to file in, and the cold beers set out in the crocks filled with ice would be downed as they each leaned in to pay their respects to Aunt Mamie. “Fine evening, Mamie!” “Wisht I'd ate here, smells great!” “How's your rheumytiz, Mamie?” “Got your church clothes laid out, Mamie?” Then they were off down the lane, yelling shut ups and calm downs to the beasts, pulling on their jackets if it was a cool night. Mamie knew that once the late comers were here and off up to the barn, it was her time, for at least the next three hours. They'd get the hounds on their leads, wait for the Boys to come back in, then give the hounds the scent and set them off.

For Mamie, this signaled it was bath time. She had three kettles that could be filled at once, a gallon or more each, already boiling on the stove and I always marveled at how she could even hoist those boiling hot tanks to carry them into the back room to fill the bath.

If we were lucky enough to be spending the evening, she'd settle us down in our pajamas with cookies and milk for our “bedtime snack” while she ambled into the back room. “Keep it quiet now, you kids,” she'd mutter as she smiled a knowing nod and closed the door between the kitchen and the rest of the house. My brother and I, and our cousins, all knew that this was meant as serious, and we never broke a whisper until she reappeared. We shared our stories of our day, our complaints of our chores, our plans for Sunday after church, and hushed tales of problems between our moms and dads, as much as we dared tell.

The sight of Aunt Mamie freshly bathed in her long flannel gown and her chenille robe was something no one could see even once and ever forget. A little slip of a thing, it was only apparent how old she was (an age not known in years by anyone) when she appeared in her flushed delicate pink, freshly-washed skin, smelling like rose water and glycerine, rubbing balm on her hands, an inch or two shorter without her oxford shoes. In her pale night clothes, she had the presence of an angel, and this was made all the clearer by her hair, unburdened from her head and freshly washed, streaming behind her. It never failed to take my breath away, that silver veil of hers. It streamed behind her, flaxen, silky, silver, and trailing behind her on the floor like the train of Queen Elizabeth's velvet robe I'd once seen in a picture. It was then that I knew our Mamie was truly a queen, and one far fairer than any of those from far away countries.

“C'mon now children,” she would call in a near-breathless voice of relaxation, “give me a hand.” I know now that we were silent while we waited, for none of us would want to miss what came next. “You know I can't do this myself anymore.” She'd pull that old metal step stool, still-shiny chrome with the red back and the black rubber treads where you could use it to step up, right out into the middle of the space beyond the table near the door, as her throne. This was the only place in the house with enough room for her delicate tresses. I always wanted to ask her when the last time it was she'd cut her hair, but I knew better. My mother told me that she remembered having the honor of trimming Mamie's “ends” one time shortly after she was married, as if it was a rite of passage of entering the family to be allowed to assist Mamie with her locks.

I never saw pearl-handled hair tools before that, though I have seen them since in antique stores. “Mother of pearl,” she muttered to us proudly. They glistened whitish pink as she took them out of their velvet case. She held out the little mirror, which was smokey at best and looked over her shoulder. It was the only vanity I ever saw in that selfless woman. I saw the glimmer in her eye as she threw her tresses over her shoulders and handed the comb to me. “Now missy, squeeze that lemon there into that glass of spring water, and mind you don't get the seeds in. We've got to comb that through first or my hair will get yellow in this cool weather.” Those days lemons were hard to come by off season and this was Mamie's sole splurge. We pushed each other aside, my cousin and I, eager to be the one to get the big bone large tooth pearl-edged comb from our Aunt, and be the first. “Mind you don't pull my scalp apart!” She'd warn us as we began.

Combing Aunt Mamie's hair was no easy task. It was six feet long, easily. Even draped off that old high stool, it dragged on the floor, and she had us bring another oak chair to set it across so it could dry some and so we could run that comb and then the silky brush through it smoothly from one end to the other. No way she wanted her prized possession dragging on that old linoleum floor.

There was no sensation like it. The finest spun silk, like I'd read of in Rapunzel, this was Aunt Mamie's hair. The kerosene lamp burning, the light dim, and everything in our circle had a magical aura to it. The shades of silver and white were innumerable, yet we tried to notice each one. We took the utmost care, not wanting to break a single strand, and one of us held the section of hair, as the other gently tugged the comb through, pausing when it stuck, taking our time to be “Easy, ea-s-y” as she directed us. It smelled like heaven in that kitchen, with the roses, the lemon, and the sweet smell of Mamie's lavender bath salts, purchased from the Sears catalog. Time passed but we didn't notice. We were rapt with the task at hand.

This particular summer I'm remembering, I had learned how to braid. After the combing, then the soft, smooth brushing, came the braiding. Mamie patiently instructed us how to make four sections around her head. “We could make a contest of this if you want, but not a Speed contest, a Perfect one...Who can make the best and smoothest and tightest braid?” We'd each take a section. We had to be careful, because unless they were each in the right place, they'd never lay flat in the end. One over the ear, one behind, on each side. The hardest part was they had to be pulled up, but the hair was so long. And we never would want to hurt Aunt Mamie's head. This was her time. Somehow we knew it was sacred.

Tiny sections of hair, three apiece, times four braids. That night, I counted 387 turns. In my own hair, which wasn't short, I'd only ever gotten 20. Three Hundred Eighty Seven careful turns, and with each turn, we each gently held on with one hand while we softly straightened and stretched out the tress beyond the braid, lest it tangle before we were through. I thought my hands would break off at the wrist, yet I didn't dare say. I knew that this was a special time, this first time of braiding. Soon enough we had four long ropes of silver and flax, trailing out over the chair and almost touching the ground, halfway across the kitchen. Mamie picked up the silver edged mirror and gazed back satisfactorily. “Ohhh, myyy. You children have done a fine job.”

“All that's left now is the turning. Now you stand here, and you here, and you here, and you there. Stand still, 'til I say.” She had a smile like that elf in the fairy tale book, I thought. She stood, ever so slowly and softly, as though she expected we'd pull that hair out of her head if she moved wrong. “Now walk,” she softly commanded, “one step at a time, as I tell ya.” She pulled out the little package in the box with the silver hair pins. We were spread out evenly around her, like she was a maypole and we the dancers. She put her hands to her head, the little pins now in her mouth. She mumbled, “Step, (pause) and step, (pause), and step,” and on and on it went. Like we were carrying the queen's train, we waltzed so gracefully around her, and she pinned each lock in place, pace by pace.

When we were done, she once again wore her silver crown around her head. “It's perfect,” she exclaimed, and I saw how it gleamed in the lamplight.
Our own Aunt Mamie, Queen of the Farm. We were awestruck at her beauty. A beautiful pink ferry in a soft beige gown, in a crown of silver. We were speechless as our Fairy Queen admired herself in the mirror, so enamored we forgot it was ever a contest.

I don't know how old I was that Saturday evening of my first hair combing. Aunt Mamie was a wisp of a woman, but we were far tinier than her. We were her snippet of a court and we all curtsied as she bowed her head to us. Not long after, she scooted us off to bed under afghans on the couches in the parlor, where our mothers and fathers would gather us in sleep much later, to shepherd us home.

I dreamed of fairies in the glen that night, how they scurried up into the trees as the hounds brayed at the moon. Those big dark creatures foolishly thought they'd have a meal of those raccoons who were safely hiding in their cages in the big reddening oak trees. The fairies laughed at the huge silly beasts who didn't know any better, then fluttered off to find more fun.

Not much later, I was told by my mother that Aunt Mamie had passed away. “Gone to heaven with her momma and pappa,” my mother told me, “where she'll be happy forever.” I knew that this was not a lie. It was an honor fitting our Queen of the Farm.





A Friend's Memorial

August 2008

Filing into meeting,
Whispered words, now quieted.
Every one seems to have their place;
Even those never here before
I sit, expectantly, and listen,
One ear to the silence, one to the voices,
As one by one
The memorializers rise to speak.

I never knew, I muse amazedly,
When was this or where was that?
Each person shares a bit of their loved one
And of themselves.
I see their beloved then,
More clearly than I have ever seen before.
Such bountiful intimacy
Flowing into the pond of pooled consciousness.

We are so blessed to be gathered as one body.
What a gift our departed gives,
To bring us all together here
In ways we never would have found.
In the silence I feel us,
Drawing ever closer
Wrapped in the embrace of
The Dear One.

Feeling the warmth surrounding
I pause in inward prayer, to who?
To God of course,
The ever present Light.
And yet who else is here?
I see the silky shadows of so many passed.
I feel their presence next to mine
And tearful, settle deep to hear their whispers

We are so blessed
Gathered in the presence of friends
Both new and old, known and not,
Both here and long since gone.
I bask in the light of wisdom passed
From ageless soul to yearning heart.
And bathe in the pool of
Deep cool restfulness and grace.

Old Friend Dear


Old Friend Dear,
I'm having a fantasy
of you, sweeping me
off my feet again.
It is as if the wind has
Blown through the open hole
in that long broken pane
of glass you knew
was always there
but never spoke of.

Our words were too frail
then, they could not
withstand the gale
force of nature's call...
To us it was a dream
too real to become more.

We laid it to rest;
too soon we moved on
Forgotten before time
reminded us of
who we were, or could be,
to each other.

I moon now over you;
a blue moon they said
this new year come;
And I was seeking
a realization,
not a past.

What found me was
a jewel inside a rock;
a jester in a robe.
Now the moon and I
lay gleaming, not knowing
what will come.

Blue? I am not blue
but in your arms I lie,
in my dreams I see;
In my mind there is more,
yet more to live.

I've been this place before
with someone else I knew,
there was a purpose
then, no different then,
than this.

What do I seek?
I'm after the elusive
dream of what was once
and never could be now.
And its all okay.

My life has not been wasted:
Waiting has been
bittersweet and honey,
tied up in a satin bow.

Waiting for the love
that never came; you
saw me then and now
You see my heart so clear.

We laughed so tenderly,
Our hearts so dear we
scarcely knew what we
were doing in those early days.

Now we are old, friend,
And distance lies between
our homes and hearts
and souls where they have lived.

I yearn and mourn and
toil and rest and rise again.
Feeling failure and success so
intertwined they scarcely
could be told apart.

You were my gentle love
I could not receive you then
My eyes were bent on beauty,
not on tenderness.

What draws me now is
more the soul, not flesh.
Are you still mine?
Will I dare to ask?
Will you dare to tell?

Saturday, March 20, 2010

Elder Friend

As my dear Ffriend Bob nears the end of his life, and I worship and pray for his peace, these are words that found me:




Who knew when first we spoke
What would become of us
You a self-assured preacher
Me a preacher wannabe

You old, yet young; nimble words
tripping off your tongue as though
you remembered visions of a
sought after long, long time ago

Me young, yet old, wishing
seeking, thinking, groaning
against the growth I'd yet to do
With eyes longing more for home.

We journeyed on together then
More in mind than body here
As that's what we had most of left:
Our minds, remembering, seeking.


Time collapsed into itself
As on we sought, as back we looked
Some days like rain pouring, hailing down,
Some times like desert, parched, burning


We wondered of those gone before
Those who had taught us, those departed
How had they felt, had they struggled
To teach, to walk the walk for others?


Elders all, who in their quiet fortitude
Had set the way for you and me and more
Then left us far to soon alone
To lead the way for those depending on us.


Are we the Elders, we indeed?
Are the lessons we learned so strong, so true
the questions we asked so deep, so right
To strike the fancy of the newcome seeker?


We are in our time, be we ready or not.
Each of us a life to lead, a past revealed
A path to walk, a story told
A message unfolded as each life is lived


I will miss you sorely, Friend
And often think of tales you spun
I'll grieve your absence even as
I know your Spirit joins the Ones


Who often sit amongst us here
And help reveal the Light that dwells
When hearts are heavy and souls are bound
By unseen weight of plainest days


As I am worshipping long from now
I know I'll pause to hear your voice
Among the murmuring of the souls
That often lift my Spirits high


Remembering how we rose and fell
And rose again within these walls
I'll think of sins and atonement found
And quote your words to a young child.


If you are present let me know
Blow the wind or flutter the snow
A confirmation of the Light
Is all I need to trudge the road.


So many have walked along with us
And each has felt his burden bound
Then freed and flown as here he sat
And worshiped here among the Light.


You have been my teacher, Friend,
My guide, my companion, my confidant.
Would that I could be the same
If someone seeking calls my name.


How sweet the sound, amazing grace
How sweet the sun upon your face,
I hope that you are resting sweet,
and dancing with us at your wake.

Tuesday, January 12, 2010

Invisible

Her whole life, that's what she felt:
Invisible.
We would go places together,
And on arriving she would say,
"Do you think they know we're here?"
On leaving,
"They didn't even notice me."
And I would muse,
'What is that all about?'
We would talk for hours
About things that meant so much
Each of us holding our position.
At the end she'd say,
"You just don't see my point."
Now she is gone a year or more
And All I see is her
A kind gentle voice,
A soft sweet Presence
In a big loud world.
Sweet doves of peace
Resting on shoulders of loved ones.
Her quiet claim on activism
"The least we can do will be enough,
If everyone does their little bit."
Gazing off,  dreaming she said,
"I'm visualizing a world so
different than this one,
a world of love."
Yet each time we were in a group
We'd leave and she'd say,
"They never even saw me."
Is it necessary that we see
or more important that we act?
Will her little bit be felt
Eons after she is gone?
I do believe.

Friend



You thought your words bespoke me
Like you really really knew me
When my tears came forth,
Did you perceive
you'd touched such dark within me?


A taste of what's to come no doubt
The shadow of our friendship
What always has to come again
With one who can't be trusted


I'm flattened by your honesty
I'm torn apart by words
I never would have dreamed of this
My woundedness' absurd.


Now damaged I lay dying
Or wishing that were so
I'm a shell of my existence
Of a moment or two ago.


They all think I'm the tough one
That I'll rise above it all
It's true that's what I usually do
But this time I'll demur


I would shrink inside a stone
I would flow softly like the rain
All I seek is some escape
From the inevitable pain


One moment I'm my own true self
The next that soul has fled
And I'm empty as a cardboard box
With a bomb inside my head.


Then I truly want to leave this life
My soul's already fled
In my emptiness the tears flow free
The baggage of my dead


So many years I've worked on this
So many tears I've cried
There's a child who's trapped within me
Who so many years ago died

The therapy is damnable
It lies in living life
Like a seed within its shell I push
To find the life outside


Sometimes I think I've got it
But the more I try in vain
It takes more strength than what I've got
To move beyond this pain.


I've got moments of the brightest light
That make me crave for more
Then this overwhelming feeling comes
When someone's struck the core


Then I only wish for darkness
For an end to this cruel life
I can't understand where sane has gone
I'm trapped within my life.


Peace will come, but at what cost?
Another bit of soul is lost
Serenity is but a dream of a
White sheet covering all I see


Why do I feel so vulnerable
From a few friends' chosen words?
Why do I feel like hiding out
When I wasn't even heard?


I'm held prisoner by my own old ghosts
The fears of decades long besmirched
A trigger on neurons in my brain
I never knew drove me insane


God grant me the serenity
To accept the things I cannot change
I'm lost right now but I'll be back
To the wisdom to know what's plain


Meantime grant me the courage to exist
In the shadow of felt meanness
Who has committed the greater crime
My friends or my own naiveness?
Linda J. Wilk